Saturday, 19 November 2016

Collaborative Video

A video piece illustrating the issue of time difference within a long distance relationship.  A collaboration with Katya Veleva.

Thursday, 17 November 2016

Long Distance Relationship Problems

Sleeping Together, Chaz Howkins, 2016, photograph 
Sleeping Together #2, Chaz Howkins, 2016, photograph
This series visually communicates one of the issues of a long distance relationship - the time difference and attempting to communicate at awkward times of day.

Expectations vs Reality

Study Abroad, Chaz Howkins, 2016, photograph
This image comes from a series in which I explored the contrast of what I expected studying abroad would be like with what it is actually like.

Tuesday, 15 November 2016

I Don't Drink

I Don't Drink, Chaz Howkins, 2016, pen on brown paper bag
A drunken revelation that it's okay to be a person who doesn't drink.

Friday, 4 November 2016

Monday, 31 October 2016

Emerging Artists Award Exhibition


My painting was selected to be a part of the 2016 Emerging Artists Award Exhibition in South Perth -  my first exhibition in Australia.

Date Night


Date Night, Chaz Howkins, 2016, acrylic & pencil on canvas
“Date Night” visually communicates the struggle and beauty of a long distance relationship.  I wanted to romanticise a pixilated screenshot taken from a midday/evening Skype conversation by painting it on a large scale so that I had a means of seeing my girlfriend’s face other than on a 4 inch screen in my hand.  I wanted to glorify this loving moment because our communication is made so difficult by time differences and poor signal that these beautiful moments are made all the more special when they do happen.

Wednesday, 19 October 2016

Sense Of Place within photography

Out Of Place, Chaz Howkins, 2016, photograph
A visual exploration of feeling out of place within a new environment (during my year spent studying in Australia).

Palette Scrap Paintings

Scraps #3, Chaz Howkins, 2016, acrylic on paper
Scraps #4, Chaz Howkins, 2016, acrylic on paper 
Scraps #5, Chaz Howkins, 2016, acrylic on paper
Scraps #6, Chaz Howkins, 2016, acrylic on paper 
Scraps #7, Chaz Howkins, 2016, acrylic on paper

Scraps #8, Chaz Howkins, 2016, acrylic on paper

Palette Scrap Paintings

Scraps #1, Chaz Howkins, 2016, acrylic on paper

Scraps #2, Chaz Howkins, 2016, acrylic on paper
For this series of paintings, I peeled sections of dried paint off my palettes and stuck them into a sketchbook.  The series explores texture and materiality whilst prolonging the life of something which is usually disposable.

Sunday, 18 September 2016

Sad Selfie Series

Sad Selfie #2, Chaz Howkins, 2016, acrylic on cardboard

Sad Selfie #1, Chaz Howkins, 2016, acrylic on cardboard
These paintings come from a series of 5 'Sad Selfies' painted during a time in which I felt rather blue.

Jetty Painting

Jetty, Chaz Howkins, 2016, acrylic on board

Tuesday, 30 August 2016

Names and gender assumptions

Names and Gender Assumptions, Chaz Howkins, 2016, digital manipulation
A visual exploration of how language can be used to imply gender and the importance of names in relation to identity.

Assigning gender to lines

Names and Assumptions, Chaz Howkins, 2016, pen and pencil
An exploration of the associations made between use of language (names) and gender.

A PSA about my name

It's Pronounced Shaz, Chaz Howkins, 2016, pencil & pen

Sunday, 21 August 2016

Unexpected uses for a cardboard box

Imaginary Window 1, Chaz Howkins, 2016, photo manipulation

Imaginary Window 2, Chaz Howkins, 2016, photo manipulation
As a response to the brief, I wanted to respond to the cardboard box how a child might, as children can take mundane objects and use their imagination to see potential in them.  This led me to imagining the cardboard box as a window into another world, which I visually communicated by creating these photo manipulations which transport the viewer from the run-down interior into a brighter, natural exterior.

Unexpected uses for a cardboard box

Cardboard Obstruction 1, Chaz Howkins, 2016, photograph
Cardboard Obstruction 2, Chaz Howkins, 2016, photograph
Cardboard Obstruction 3, Chaz Howkins, 2016, photograph
As a response to a brief requiring unexpected uses for a cardboard box, I created a series of photographs in which the cardboard was used as a means of obstructing the landscape.  As I obstructed more and more of the landscape with the cardboard, I found the photos more humorous as it becomes less obvious what the photograph is attempting to capture.

Unexpected uses for a cardboard box

Cardboard Boxer, Chaz Howkins, 2016, cardboard and tape
A visual pun. A small scale maquette for a sculpture I feel would be most successful if created life-size.

Sunday, 24 July 2016

Barbie Ascot Hat

Credit: The Daily Mail Online
I attended Ladies Day at Ascot and decided to create my own hat for the occasion.  The creation featured three of my zombified Barbies from my 'corruption of childhood innocence' project alongside seven headless, unclothed Barbie dolls attached to a plain black base with red ribbon.  The zombified Barbies wore smaller toy horses in their hair to act as fascinators, to go with the theme of Ascot.
Barbies are often viewed as an unrealistic ideal of the socially constructed standards of beauty for women.  Women at Ladies Day are expected to present themselves very properly to meet these standards of beauty.  My intention of wearing this hat at Ladies Day was to subvert the expectations of women's beauty.  The dolls represent a sense of corrupted childhood innocence as children grow up with these dolls and these ideas of what beauty is and as they grow older they realise how impossible these standards are to meet.  The bloodied dolls represent the lengths some women will go to to make themselves beautiful.
There are strict rules for clothing at Ladies Day and unfortunately my hat did not meet their criteria due to it 'promoting a brand', being 'gimmicky' and 'inappropriate' due to the nude and disfigured dolls.  This meant I was not allowed to wear the hat inside the gates of the event, which was very disappointing.  However several photographs approached me outside the gates and asked for photos of the hat, meaning it was features in several online news articles.